Our February Meeting

It was wonderful to see that so many stitchers and embroiderers had braved the cold and wet weather to come along this month.  We put out extra tables and chairs and there was soon a hum of activity in the hall.  

Josie and Celia continued working with a group who wanted to learn or improve their goldwork.  This month they focused on finishing techniques (tricky given the thickness of the applied gold and coloured threads) and moved on to creating corners/angles.  Participants were enjoying the challenging nature of the technique and making good progress with their samples.  

                            

Monica's goldwork sample 

Goldwork is a very technical style of embroidery which requires specialist materials and we really appreciate Josie and Celia's knowledge and skills.  They brought along samples which showcased traditional and modern goldwork and were absolutely wonderful.

                          

Victorian ecclesiastical goldwork embroidery (stole end and burse)

Celia's modern goldwork - works/samples showing how different weight gold threads and cords are affected by the application of different coloured threads.

The second stitch club group continued exploring colour and design.  Helen had brought along her sketchbooks and plenty of papers/magazine pages for the group to use to create colour collages.  She demonstrated how simple and playful processes could be developed into surfaces that could be cropped and curated to form designs.  Next month these will be re-imagined and recreated in fabric and threads.  

Paper, paint and collage

Helen's samples showing colour, collage and pencil sketching as ways of developing design ideas.

Stitch clubs occupy some members but most work away on their own projects.  These are hugely varied and it is inspirational to simply walk around the room and talk to people about what they are doing!  This month Jane's embroidered postcard caught my eye.  The postcard (one of several) was found among her grandmother's effects and had been sent from France by her grandmother's brother.  I found it very touching that a treasured item was being incorporated into pages for a fabric book. Jane was also using some of her grandmothers threads, lace and other textiles.  It struck me that many things we inherit languish in boxes unseen and underappreciated and this seemed a very meaningful way to remember someone' s life.

Margaret Beech 'Paper Magic'

Our afternoon speaker was a local artist who specialises in calligraphy and bookmaking (mostly out of paper but some out of fabric).  In 2025 she was invited to exhibit as part of York Open Studios.  Margaret had brought along a large collection of different books made over a number of years.  Margaret's work is very varied and quite difficult to categorise as the books have a sculptural quality.  She is part of an International community of artists that swap ideas and books that they have made.  Because of her interest in calligraphy and words she incorporates poetry and phrases into her art/books, many of which contain manipulated and three dimensional elements.  Over the course of the afternoon we saw flag books, fanbooks, flickbooks, concertina books, scroll books, Jacob's ladder books, explosion pages and surprise elements.  We very much enjoyed her spirited 'show and tell' and admired her creativity.  

  

A selection of Margaret Beeches paper books

Our next meeting will be on Saturday March 7th.  If your New Years' Resolution was to try something new or just get on with finishing a project, why not join us in Haxby Memorial Hall at 10.30?  Bring some stitching and your lunch if you'd like to stay all day and listen to our afternoon speaker.  Or, just drop in and see what we're doing - visitors are always welcome.  The program and contact information is in the tab above.  

Our January Meeting

On a cold Yorkshire morning we were happy to meet up and wish each other a "Happy New Year".  In the morning two stitch clubs started.  We aim to offer contrasting clubs so that a 'technical' option is counterbalanced by a more experimental one.  Typically these are run for three sessions so that members have time to get to grips with the techniques.  Some members love to join a stitch club whilst others prefer to work on their own projects. 

The first was Goldwork led by two of our very skilfull and experienced members. Celia and Josie produce exquisite and technically accomplished pieces so we were very pleased that they were willing to help novices get to grips with some of the basic techniques. 

Technical samples created by Celia and Josie

Members made a good start on Goldwork by trying the 'brick' technique to make straight lines.  Apparently it was quite hard to do (the hall's lighting isn't great for fine stitching) but everyone made progress couching pairs of gold wire.  The next stage was to add a coloured metal line to create a striped effect.  Over the next months members will be guided to achieve angles and curves.  This is a lovely form of embroidery that requires much artistry and precision.  

Jackie making a start on the 'brick' couching technique

The other stitch club option was Colour and Collage which was led by Helen.  Helen has an Art background and always produces vibrant and harmonious pieces so we were delighted to have her lead us through some experimental techniques to help us think about colour and design in new ways.  No 'right' or 'wrong' things for this group - just gentle encouragement and play.

Simple colour mixing

Stencilling onto paint colour samples

Picking out colours from a photograph - a demonstration of Helen's design process

Members in Helen's group enjoyed simple colour mixing exercises.  Whilst the swatches were drying members chose a photograph/magazine page picture that 'spoke' to them and tried to pick out and mix the colours.  It was an instructive exercise in finding harmonious colour combinations that was very much enjoyed by the group.  

At  most meetings we lay out a sales table.  This runs on a 'pay what you feel' basis and is a good way for members to pick up fabrics, books and threads (and sometimes small pieces of equipment) to use and experiment with.  We are very happy to receive donations from stitchers whose stashes have become too much (if that is even possible!).  Please contact the YES chair if you have items to donate.  We generally use the donations to provide materials for stitch clubs.  If items don't sell we take them to the Cone Exchange in Harrogate which repurposes them into valuable resources for local crafters as well as environmentally conscious materials for schools and playgroups.  

Sales Table

Batik, Wax and Wonder - Rebecca Mason

Our speaker in the afternoon was York Textile Artist Rebecca Mason.  Rebecca specialises in Batik - a dye resist technique using wax.  She makes silk scarves, framed pictures and wall hangings using  both traditional Indonesian and modern methods.  Rebecca gave a wide ranging talk about the processes involved in making Batik.  We learned a little of the history of resist dyeing and its development in Java where makers were particularly skilled.  Hand drawing with hot wax gave way to wooden block printing and the invention of copper stamps (tjaps) to apply the hot wax in a faster (and commercially cheaper) way.   Over time the techniques were disseminated across the globe, being particularly popular in 1890s Amsterdam and in Holland, Germany, France, Poland and the UK between 1918 and 1925.   In these countries it was used for interior decoration rather than its traditional use in clothing.  After this time it waned in popularity in the West before being revived in the 1960s by artists including Noel Dyrenforth in London who founded the Batik Guild.  

Originally batik making was a distinct cultural and economically important industry in Indonesia before being appropriated commercially by international traders.   It was also adapted by artists for use in different ways.   For example we were interested to learn that the women of the Utopian Aboriginal community in Central Australia developed a distinctive style of batik from the late 1970s which has become recognised internationally as a vibrant art movement.  

Batiks from Utopia - The Riddoch Collection.  theriddoch.com.au

Untitled.  

Samples of traditional and experimental batik from Rebecca's collection

As well as explaining the batik making process, Rebecca shared information about contemporary makers whose work she particularly admires, including Rosi Robinson who uses traditional implements such as kistkas, cantings, dye, wax and Indonesian cotton to  produce figurative batik paintings.  Rebecca, like many contemporary textile artists uses the 'crackle' effect of wax being penetrated by dye to create both abstract and figurative pieces.  She had brought along some of her varied work for us to admire.  

A selection of Rebecca's silk scarves

 Rebecca Mason's batik 'paintings' and cards

As well as producing items for sale Rebecca regularly exhibits her work and runs workshops.

Further information can be found on her website www.batik-art.co.uk .  

Rebecca has a studio in York at the South Bank Studios www.southbankstudiosyork.co.uk. 

Her work (with other York Textile Artists) can be seen on www.yorktextileartists.com

Our next meeting

This takes place on Saturday 7th February.  Meetings are held in Haxby Memorial Hall starting at 10.30.  Visitors are always welcome to come along to see what we do.  If you are an experienced embroiderer or if you would just like to try your hand at a new skill, do pop along and have a chat to us.  Why not start 2026 by bringing some stitching or a Christmas kit you haven't started yet and make some new friends?

 

Our December Meeting

Well it was actually at the end of November but to all intents and purposes it was our Christmas get together!  There were four activity options for those that fancied making Christmas cards, a Christmas competition and festive refreshments.  We were grateful to the members who so generously shared their threads, fabrics, ribbons and beads (as well as their ideas and skills).  Our particular thanks go to Marina, Diane, Nicky, Angela and Liz.   

One option was making felt trees embellished with ribbons and beads. 

The second option involved stitching onto patterned fabric and then cutting out a festive shape to attach to a card.

The third option was a counted stitch technique, using Rhodes stitch to create diamonds that formed trees. 

The fourth option was 'prick and stitch' directly onto cards.  

The Christmas competition theme this year was for a decoration and we had many lovely entries.  Voting is by 'button in the bag' and members can vote for more than one entry.  As always it is hard to judge such different styles of items.  Well done to everyone who entered and we enjoyed looking at all the entries and taking inspiration from them. 

Our eventual winning entry was Christine's lovely embroidered wreath.  It was colourful and beautifully finished.  We admired her skill and variety of stitch techniques. 

 Second place went to Marina for her fun and very neatly stitched folk art wool garland. 

Third place went to Angela for her delicately stitched softly coloured festive pieces. 

Not everyone chose to make cards, and there was much busy activity in the room with members working on their own projects.  This month I enjoyed seeing Chris' festive Robin take shape.  The image and instructions were from Emillie Ferris' book 'Paint with Thread: A Step-by Step Guide to Embroidery: Through the Seasons'   The silk shading technique was worked using a single strand of floss and long and short stitch.  The painterly effect was really effective and she was enjoying the slow process of bringing the bird to life.

Robin stitched  by Chris from a pattern by Emillie Ferris

In the afternoon we enjoyed festive refreshments including mince pies, Swedish spiced cake and fruit cake with Wensleydale cheese.  It was a lovely way to get us all in the Christmas spirit.  

York Embroiderers and Stitchers next meeting will be on 3rd January in Haxby Memorial Hall.  Visitors and new members are welcome to come along.  We will be there between 10.30 and 3.30 so feel free to drop in.  The programme for 2026 can be found by clicking the tab at the top of this page so do have a look if you are interested to see who our speakers will be.  

Our November Meeting

Our November meeting was well attended and the hall was soon full of busy stitchers.  One stitch club group continued making three dimensional pieces.  Nicky had provided plenty of instructions to make a range of 'balls' using pentagons and other shapes.  Shapes were cut out of hexiform or pelmet vilene and fabric was basted on.  The shapes were then stitched together to create the 3D patchwork shapes using small whipped stitches along the edge. Members who had previously tried English Paper Piecing (EPP)patchwork had a good idea of the process.   Anne had been very industrious by continuing from the previous month and had completed a bauble in forest green fabrics, adding embroidery and a beaded hanging loop.

Anne's completed decoration

                       

Nicky's instructions and samples for dodecahedrons.  

Balls can also be created using other geometric shapes, including triangles.  Andrea was making good progress stitching a soft ball with lovely Liberty lawn scraps. She was creating a net (20 triangles joined flat) before assembling the polyhedron.  

Andrea's polyhedron under construction

Liz's stitch club group were embellishing fabric with stitches and beads.  This was a very relaxing activity once a piece of base fabric had been chosen.  

Sara's embellished fabric in progress

At any meeting there is a large group who work on their own pieces.  Usually this is embroidery or other forms of stitching.  Some people enjoy following instructions in kits, others work on their own designs.  However Celia's weaving caught my eye this month.  She was using/re-purposing a bead loom and had warped it for a narrow band.  She was weaving with embroidery floss and creating a series of coloured woven pieces (rainbow colours) to fit in the small compartments of an old printers tray.  I'm sure it will look lovely when completed.  

Celia working on a woven blue band

Afternoon speaker - Jacqueline Schultz 'Creative Chapters'

In the afternoon the very talented Jacqueline Schultz set up a display of her work and gave an illustrated talk.  She had been inspired at a young age by her grandmother who was skilled at embroidery.  Having trained as a primary school teacher (B.Ed with Art as her major) Jacqueline became an 'ex-pat' wife working in several International Primary schools.  She clearly enjoyed her time living in different countries, meeting many people and absorbing a wide range of cultures and experiences.  As well as working and raising her children, Jacqueline channelled her creativity into various hobbies which have gradually led her towards shifting her focus towards running a business as an interior designer, teddy bear maker/designer and more recently workshop facilitator.  

Jacqueline recommended the courses she took in Nottingham at the National Design Academy when she relocated back to Yorkshire.  These helped her establish herself as an Interior Designer and Soft Furnishings Professional.  Her background in teaching has helped her create embroidery and soft toy kits for people to work on independently.  She enjoys running workshops and 1-1 classes helping people develop their skills in soft furnishings, lampshade making and teddy bear making.  Jacqueline passed around examples of her work (teddy's and creative patchwork) which were much admired.  The teddy bears were beautifully made and very characterful.  She is expanding the range to include rabbits and hares and also making lovely silk waistcoats for the animals.  The crewel work kits were carefully curated and thoughtfully graded for difficulty (which spoke to her skill and experience as a teacher).  

Jacqueline's charming and characterful teddy bears

Lampshades and creative patchwork embroidered Christmas Stockings

Jacqueline's crewel work

We enjoyed seeing all Jacqueline's fabulous work and wish her well for the future.  She runs workshops in Ebberston, North Yorkshire and other local venues.  Further details are available on jacquelinesbears.uk.  Follow the links to information about Heritage Embroidery (Jacobean Crewelwork embroidery and Silk Ribbon embroidery) and Jacqueline's Interiors (soft furnishings - curtains, blinds, cushions and lampshades).

Our next meeting 

This will take place on 29th November and will focus on Christmas Activities.  All are welcome to join us in Haxby Memorial Hall near York at 10.30.  If you are a novice and need advice or guidance there are plenty of people who would be happy to help.  If you are an expert in any technique or style please come along to inspire us!  

Our October Meeting

Our October meeting took place in Haxby and was well attended.  In the morning a new set of stitch clubs started.  Nicky had a group thinking three dimensionally!  Members got busy making 3D polygons using Hexiform and pelmet Vilene.  Her worked examples included embroidery but first came construction and we look forward to seeing the finished results in due course.

Nicky's stitched samples

                                                    Polygons under construction

In another part of the hall members worked with Liz on embellishing printed fabric with embroidery.  This had a 'slow stitch' vibe and participants used material provided by Liz or brought from home to try out french knots, bullion knots, lazy daisy stitch, stem stitch, back stitch, outline stitch and couching.  This was a relaxing activity and was much enjoyed by participants who tended to do more thinking and chatting than stitching in this first session. 

Liz's embellished samples and materials

Not all members participate in stitch clubs and there was a lot of interesting stitching going on in the hall.  This month I sat down with Christine, a relatively new member of our group who was laying the foundations for a textile piece of work.  She has been a maker for many years, interested in the textures and colours of the natural world.  In the piece she was working on she was layering and tacking down strips of fabrics (muslin, cotton, silks) some of which she had hand dyed and painted with diluted acrylic paints.  She enjoyed experimentation and working intuitively.  As is often the case the photo doesn't capture the subtleties of the colours in the fabrics and it will be lovely to see how the piece develops. 

Christine's foundational fabric

For the 'Travelling Book' Chris had produced a fine piece of stumpwork.  This is an historical technique (dating back to the 17th Century) created with high relief surface embroidery, wrapped wires and beads, needle lace and slips.  

Chris's stumpwork for the Travelling Book

AGM 

In October we have our Annual General Meeting so that everyone involved in the group has the opportunity to reflect on what we have been up to, to see that the finances are in order and to ensure there are enough people actively involved to keep the group going.  Nicky (Chair) and Liz (Treasurer) gave their reports and we had a constructive discussion about the distribution of Exhibition Profits  (to St Leonard's Hospice and Fine Cell Work).  Overall it has been a productive and fun year and members were grateful to those who were involved in the organisation and running of YES.  We are looking forward to a great range of speakers, workshops and activities in the year ahead.  

Selection of work done in stitch clubs over the past year

Our next meeting will be on 1st November.  It will be held in Haxby Memorial Hall 10:30 till 3.30.  Visitors and new members are encouraged to drop in and see what we're up to.  We have many talented and friendly folk who love to share their love of embroidery and stitching.  Novices and experts are equally welcome.  

Click on the YES Programme tab (above) to see what is planned for 2026.